Whether these sunglasses set you off or you’re hunting for the hexagonal standouts that musician Lenny Kravitz lost, good frames are a surefire way to take your style to the next level.
#Vintage revo sunglasses tv#
Indeed, celebrities have long held sway in the sunglasses realm - perhaps you’ve opted for vintage Ray-Ban sunglasses because you’re enamored with Marilyn Monroe’s celebrated Wayfarers or you’ve taken to classic Aviators because actor Jon Hamm wore them in the nostalgic TV smash hit Mad Men. She emerges from the flagship store of the legendary luxury house referenced in the film’s title in a pair of glamorous dark tortoiseshell frames designed by London eyewear firm Oliver Goldsmith Sunglasses. Today, we’re still talking about the sunglasses that Audrey Hepburn - the original trendsetter - donned in the opening scene of 1961’s Breakfast at Tiffany’s. People have been making a statement with iconic eyewear for a while - sunglasses garnered popularity with the Hollywood set in the early 1900s, when it wasn’t uncommon for a hip actress to be photographed in a pair of her sharpest shades. So while their usefulness is well known, let’s face it, a good pair of sunglasses can be stylish too. Glasses that utilize color-enhancing lenses, which feature specific coatings or filter tints, can limit the amount of light coming through, while polarized lenses substantially reduce glare. Most sunglasses protect the eyes from harmful UV (ultraviolet) rays - and not merely on sunny days. No matter your age or general fashion sensibility, wearing sunglasses may already be part of your regular outdoor routine owing to their practicality. Finding the Right Sunglasses for YouĪ pair of vintage or designer sunglasses can be a game-changing finishing touch to your ensemble. They’re “heading back to the more avant-garde, anti-fashion designers, like Helmut Lang, Margiela and Demeulemeester.”įind vintage 1990s clothing on 1stDibs. Instead, people are looking for “things that are cool but also easy and comfortable, not necessarily super-luxe,” Rodriguez continues. Before COVID, customers searched 1990s stock “for very sexy Galliano, Dior, Cavalli - that kind of thing,” she explains, noting that just a few months ago, “people were posting the poshest things they could.” Now, in the age of shutdown, “that would just look out of touch.” Rodriguez has recently noticed something similar happening. Pull up any recent “How to Do the 1990s” fashion article (or look at photos of current supermodels Gigi, Kendall and Bella), and you’ll see knee socks, cardigans, fanny packs, fishnet stockings, slip dresses, flannel shirts and combat boots. Things were different in the ’90s, and the difference is reflected in the clothes. In contrast, “our last 10 years have seen the domination of nonstop luxury, money and status.” It wasn’t about money, it wasn’t about status,” says Katy Rodriguez, cofounder of Resurrection. “The ethos of the time was, you could have style, you could be into all kinds of cool stuff. From America came denim, minimalism, grunge and hip-hop. Japan and Belgium gave fashion new avant-garde ideas to play with. The industry gained momentum from big-money relaunches of the great Paris houses Dior, Givenchy and Balenciaga, rescued at long last from the constraints of licensing. After the 1980s era of strong-shouldered working women, glossy aerobicized bodies and Madonna, fashion branched out. If it takes a practiced eye to identify that single concept, that’s because in truth, ’90s fashion was many things to many people. “Narrow-shouldered and narrow-hipped, the ’90s were skinny.”
“ Fashion is a game of proportion,” Alexander Fury wrote in the New York Times in 2016. If there was one concept unifying 1990s fashion, it was the lean silhouette.
And because fast fashion didn’t yet exist, the design associated with 1990s fashion - the handbags, clothing and the accessories of the era - has a quality appreciated by the millennial generation: authenticity. For fashion lovers, the 1990s have become associated with styles adopted by today’s supermodels and influencers, who never wear the same thing twice.
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